Saturday, 17 January 2015
Duncan Campbell Turner Prize winner
Duncan Campbell (MFA 1998) won the 2014 Turner Prize for his contribution to Scotland’s pavilion at the Venice Biennale. Responding to Chris Marker and Alan Resnais’ 1953 film Statues Also Die, Campbell’s It for Others included new work by choreographer Michael Clark.
Campbell makes films about controversial figures such as the Irish political activist Bernadette Devlin or the quixotic car manufacturer John DeLorean. By mixing archive footage and new material, he questions and challenges the documentary form.
Kari Robertson
13 February–21 March 2015
Wednesday–Saturday 12–6pm
Wednesday–Saturday 12–6pm
Preview
Thursday 12 February 7–9pm
Thursday 12 February 7–9pm
SWG3 Gallery
100 Eastvale Place
Glasgow G3 8QG
Supported by the Elephant Trust100 Eastvale Place
Glasgow G3 8QG
Friday, 19 September 2014
Alan Michael at Tramway
Alan Michael at Tramway
Preview Thursday 25 September 7 - 9pm
The routines of research and generic reference points provide
material for Alan Michael’s (MFA 1998) paintings and photo-based works.
Often using the formats of Photorealism and Pop Art, Michael casually
represents a type of practice where distortion is the equivalent of
development, presentation is content and the ritual of work itself is
materialized
For Syn, Alan Michael presents a new series of works based on dreams and which, in the words of the artist, "refer to nothing outside of themselves - there isn't a code".
Exhibition runs until Sun 26 October.
Image: Alan Michael, Quiche, Kookai Aime le Qui, so.uk, 2013. Courtesy of the artist and Vilma Gold, London / High Art, Paris
Matthew Richardson
Satellites Programme, Collective, Calton Hill, Edinburgh
PM
Matthew Richardson (MFA 2012) has produced a new, short, single-channel, HD video for Collective’s temporary exhibition space. This has been integrated it into the space by mounting a flat-screen monitor that displays the work directly onto the gallery's window. Working here with digital animation, Richardson exploits the backdrop of Calton Hill and more obliquely a subjective and political landscape.
Matthew Richardson
20 September – 2 NovemberPM
Matthew Richardson (MFA 2012) has produced a new, short, single-channel, HD video for Collective’s temporary exhibition space. This has been integrated it into the space by mounting a flat-screen monitor that displays the work directly onto the gallery's window. Working here with digital animation, Richardson exploits the backdrop of Calton Hill and more obliquely a subjective and political landscape.
Friday, 12 September 2014
Conor Kelly at Intermedia
Do You Feel Like We Do? presents a new body of work by Glasgow-based artist Conor Kelly. For Intermedia, Kelly has produced work that embraces the enchanted origins of painting and points to the social potential of the art object in a de-materialised 21st century.
Fri 19 September — Sat 4 October 2014
Tue - Sat, 12noon - 6pm, FreePreview: Fri 19 September, 7pm-9pm
350 Sauchiehall Street
Glasgow G2 3JD
A Big Stick of Confidence
The human nose can detect a trillion different odours, some of which
will be featured at A Big Stick of Confidence, a scent-based
installation by Canadian artist Clara Ursitti at the University
City Science Center’s Esther Klein Gallery at 3600 Market Street in
Philadelphia. The exhibit, which is jointly presented by the Science
Center and the Monell Chemical Senses Center, will run September 4 –
October 18, 2014.
Ursitti is intentionally mysterious about the
exhibit. She prefers that gallery goers experience A Big Stick of
Confidence without pre-conceived notions about the exhibit. “It’s like a
psychology experiment,” she explains. “You wouldn’t tell the volunteer
subject what is going to happen to them before they go into the
experiment as it colors their experience and ruins the experiment!”
A Big Stick of Confidence responds to the
unique space of the Esther Klein Gallery, and is informed by the time
Ursitti spent over the past year at the Monell Center, where she worked
with world-renowned olfactory scientists Pamela Dalton and George Preti.
Ursitti has been working with scent since the early 1990’s, and is
recognized as a pioneer in the area, creating pungent installations and
interventions. She is interested in non-verbal (chemical) communication,
the non-visual senses, speculative fiction and memory. Her work often
incorporates situation and context.
Ursitti has exhibited widely internationally
and has been the recipient of numerous awards including IASPIS
(International Artist Studio Programme in Sweden); Scottish Arts Council
Award; Wellcome Sci-Art Grant; Helen Chadwick Fellowship at the British
School at Rome and the Ruskin School, University of Oxford. She is
presently the recipient of a Canada Council Long Term Artist Grant, and
was included in the survey exhibition Generation: 25 Years of
Contemporary Art in Scotland. She is currently based in Glasgow,
Scotland where she is a lecturer at Glasgow School of Art. For more
information about Clara Ursitti, visit http://www.claraursitti.com.
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