Tatham and O'Sullivan new commission unveiled

Tatham and O'Sullivan (both MFA 1994) unveil a new commission at Granary Square, London.

Sofia Sefraoui at Celine, Glasgow

 
Let The Dust Settle. A new two person show opening at Celine, Glasgow.

Sofia Sefraoui (MFA 2016) is based in Glasgow. She was born in Paris, from a Moroccan father and a Brazilian mother. Her practice is strongly influenced by her international background. She therefore developed a strong interest for multiculturalism and hybridity. Her work is material based. She always links materials and objects that belong to different realms in order to create tensions and leave the visitors with a feeling of uncanniness. She exhibited her work in France and Scotland and she recently came back from the 2017 Graduate Residency at Hospitalfield.

Stéfan Tulepo is a sculptor and photographer working between France and Scotland and has been involved for three years at The Project Café in Glasgow. He recieved his MFA from L'Ecole des Beaux Arts d'Angers in 2013. Stefan bases his practice on exploring, picking, harvesting; investigating the notion of memory in his own approach to contemporary archaeology. Stefan has been involved in various solo and group exhibitions including; The Carnival Gallery, Glasgow (2017) Passerelle CAC, Brest, France, (2014 & 2016) Common Ground, Glasgow (2016), CAN, Neuchâtel, Switzerland (2015), Maison PaiPai, Angers, France (2014).

The exhibition will run until the 5th December 2017 and is open by appointment. 
Please contact the gallery via facebook,
or email; s.tulepo@gmail.com or sofiasefraoui@gmail.com
or phone; 07787464118(sofia) or +33688348137 (stefan)
to arrange a viewing.

Nicolas Party at Modern Art Oxford

A new exhibition by Nicolas Party (MFA 2009) opens at Modern Art Oxford.

https://www.modernartoxford.org.uk/event/nicolas-party-speakers/

Speakers
25 November 2017 - 18 February 2018
Preview Party 24 November, 7-8.30pm 

'I'm working with subjects that are not from reality, so I think I have a tendency to love this idea of the gallery wall as a theatre or a set. So the show, for me, is also a little theatre.' Nicolas Party

Party has created a playful theatrical set inhabited by a cast of dramatic larger than life female heads. Speakers incorporates a soundscape of piano, cello and voice arrangements, offering up improvised auditory encounters for visitors.

Kate V Robertson at DCA

Kate V Robertson (MFA 2009) has her first solo exhibition in a UK institution presents a major installation of new sculptural work that draws our attention not only to the walls, but to the floor, ceiling and windows of our most expansive gallery space at DCA.

Robertson is known for creating environments and displays that often transform and shift over time. Rigorously exploring her chosen materials and the ways in which they can change, Robertson revels in the physical characteristics of the objects she creates, testing their structural qualities to their limits and uncovering what lies at their material core. Ideas of instability, dysfunction, waste and decay pervade her work, particularly in relation to how we experience these sensations in urban environments.

In this new body of work Robertson focuses on the use of rectangular shapes across different surfaces, playing with the appearance of depth often created by optical illusions and geometric designs. These formal concepts hint at patterns and configurations associated with city spaces, while also specifically referencing the flatness and groundlessness of our increasingly screen-based lives.

This Mess is Kept Afloat thoughtfully disrupts the ways in which we engage with sculpture, deliberately muddying the waters of the pristine white cube gallery by drawing in and amplifying certain aspects of the outside world. Robertson deftly combines ideas of the external and internal in this exhibition to create a conceptually intricate and sensually rich experience for anyone willing to cross the threshold.

About the artist:

Kate V Robertson (b. 1980, Edinburgh) is based in Glasgow, having studied at Glasgow School of Art completing a MFA there in 2009. Recent exhibitions of her work and projects include: Object(hood), Talbot Rice Gallery, Edinburgh 2017; Semper Vigilantes, OBJECT / A, Manchester 2016; Semper Solum, Oxford House, as part of Glasgow International 2016;  Adaptive Expectations, BALTIC 39, Newcastle, 2016; In Progress, Patricia Fleming Projects, 2014. She has participated in residencies at Hospitalfield, Arbroath; Eastside Projects, Birmingham; CCA, Glasgow; and Chateau de Sacy, France. She is represented by Patricia Fleming Projects, Glasgow.

Robertson has also undertaken several public art commissions, including converse for the Glasgow 2014 Commonwealth Games and a forthcoming permanent work in Peterhead. After co-curating and designing the exhibition Reclaimed: the Second Life of Sculpture, for Glasgow International 2014, she is currently researching new models of commissioning and collecting sculpture, funded by Henry Moore Foundation.

http://www.dca.org.uk/whats-on/event/this-mess-is-kept-afloat

Uesung Lee at Insa art Space, Seoul

Uesung Lee (MFA 2016) new works on show at
Insa Art Space
89 Changdeokgung-gill,
Jongno-gu, Seoul, Korea 03057
Tel. 02-760-4722

http://www.insaartspace.or.kr/nr/?c=1

Rosalind Nashashibi Turner Prize nomination 2017

http://www.tate.org.uk/whats-on/ferens-art-gallery/exhibition/turner-prize-2017

Sarah Rose - two exhibitions of new work

Sarah Rose (MFA 2012) is included in a new show 'Lilt, Twang, Tremor' opening at the CCA, Glasgow on 17th November 7 - 9pm.

'Now' featuring new work by Sarah continues at the Scottish National Gallery of Modern art until 18th February 2018.

Charlotte Prodger receives Paul Hamlyn Award

http://artists.phf.org.uk/artist/charlotte-prodger/

Charlotte Prodger (MFA 2010) is a Glasgow-based artist who works with moving image, writing and performance, exploring the intertextual relationships between each of these materials. Narrative fragments gleaned from different places and points of her life are shown in parallel to reveal ongoing enquiry into the contingency and intimacy of materials. Prodger’s installations and performances look at what happens to speech - and the self for which it is a conduit - as it metamorphoses via time, space and technological systems.

Having moved through various deconstructed modes of presentation including sculptural multi-monitor installations, Prodger is now focusing on single channel, long form videos. In this immersive context she finds possibilities for more complex relationships between image and sound, subject and object. Her recent videos Stoneymollan Trail (2015), BRIDGIT (2017), Passing as a Great Grey Owl (2017) and LHB (2017) explore intertwined relationships between queer bodies, landscape, language, technology and time.

Solo shows include Sculpture Centre, New York; Bergen Kunsthall; Kunstverein Düsseldorf; Glasgow International; Studio Voltaire, London; Spike Island, Bristol; Koppe Astner, Glasgow; Temple Bar Gallery, Dublin and Hollybush Gardens, London. Groups shows and screenings include Tate Britain, London; New York Film Festival; Berwick Film & Media Arts Festival; British Art Show 8; Künstlerhaus Graz; Artists Space, New York; Pier Arts, Orkney and Kunsthalle Freiburg. Prodger’s writing has been published in F.R.DAVID, 2HB, Frieze and Happy Hypocrite. She graduated from the MFA at Glasgow School of Art in 2010.