Saturday, 28 November 2015
Tuesday, 24 November 2015
Stephen Sutcliffe wins Contemporary Art Society Award 2015
The Whitworth, The University of Manchester, with MFA graduate Stephen Sutcliffe and Graham Eatough (in partnership with LUX) have won the Contemporary Art Society Award 2015. Sutcliffe and Eatough will create a film based on the first and last chapters of Anthony Burgess’ Enderby novels, premiering for the centenary of the author’s birth in 2017.
The £40,000 prize, generously supported by the Sfumato Foundation, is one of the country’s highest value contemporary art awards and this year was presented by artist Yinka Shonibare MBE (RA).
The commissioned two-part film will explore the cultural figure of ‘the artist’, and ideas of authenticity and posterity through theatrical performances and filmic collage. It will contrast the idea of the artist as remembered culturally with the nervousness and uncertainty of the actual lived experience, a recurring theme in both Sutcliffe and Eatough’s work. Burgess, best known (to his distaste) for his novel A Clockwork Orange, was himself preoccupied with how artists are remembered and the Enderby novels deal with these themes throughout.
Monday, 23 November 2015
Hyojun Hyun 'Strange Days'
Last chance to see the solo show of new paintings by MFA graduate Hyojun Hyun at
House of Egorn
Schöneberger Ufer 51
Berlin 10785, Germany
- Wednesday to Saturday11:00-18:00 Or by appointment only
Friday, 9 October 2015
The British Art Show 8 features several MFA graduates
The British Art Show is a national touring exhibition that provides a vital overview of some of the most exciting contemporary art produced in the UK. Organised by Hayward Touring at Southbank Centre, London, and taking place every five years, it introduces a broad public to a new generation of artists. After opening in Leeds Art Gallery, British Art Show 8 will tour to multiple venues across Edinburgh, Norwich and Southampton over the course of 15 months
Åbäke, Lawrence Abu Hamdan, Caroline Achaintre, John Akomfrah & Trevor Mathison, Aaron Angell, Pablo Bronstein, Adam Broomberg & Oliver Chanarin, Andrea Büttner, Alexandre da Cunha, Nicolas Deshayes, Benedict Drew, Simon Fujiwara, Martino Gamper, Ryan Gander, Melanie Gilligan, Anthea Hamilton, Will Holder, Alan Kane, Mikhail Karikis, Linder, Rachel Maclean, Ahmet Öğüt (with Liam Gillick, Susan Hiller, Goshka Macuga), Yuri Pattison, Ciara Phillips, Charlotte Prodger, Laure Prouvost, Magali Reus, James Richards, Eileen Simpson & Ben White, Daniel Sinsel, Cally Spooner, Patrick Staff, Imogen Stidworthy, Hayley Tompkins, Jessica Warboys, Stuart Whipps, Bedwyr Williams, Jesse Wine, Lynette Yiadom-Boakye
The curators: Anna Colin is co-founder and co-director of Open School East and Associate Curator at Fondation Galeries Lafayette, Paris. Lydia Yee is Chief Curator at Whitechapel Gallery.
The exhibition is accompanied by a publication designed by Fraser Muggeridge studio, featuring essays by the curators and roundtable discussions with artists including Andrea Büttner, Ryan Gander, Patrick Staff and Ciara Phillips.
Image: Charlotte Prodger
Touring dates and venues:
Leeds
9 October 2015–10 January 2016
Leeds Art Gallery
Edinburgh
13 February–8 May 2016
Scottish National Gallery of Modern Art, Inverleith House, Royal Botanic Garden Edinburgh and Talbot Rice Gallery, University of Edinburgh
Norwich
24 June–4 September 2016
Norwich University of the Arts and Norwich Castle Museum and Art Gallery
Southampton
8 October 2016–14 January 2017
John Hansard Gallery, University of Southampton and Southampton City Art Gallery
Sunday, 4 October 2015
Tuesday, 29 September 2015
Total Crap
David Sherry
Total Crap, More Crap and Variable Crap for sale.
None of your crap, this is Total Crap from as little as £9.99.
Get More Crap for £9.99.
Saturday 3rd October 1 - 3pm
part of 'Devils In The Making'.
at
GoMA - Glasgow Museums,
Queen Street, Glasgow
Monday, 28 September 2015
'THAT'S GENETIC'
'THAT'S GENETIC'
with MFA graduates
JENNIFER BAILEY
LAUREN HALL
TESSA LYNCH
SARAH ROSE
__________________________
Preview Tuesday 29 September, 7–9pm
Exhibition continues until Sunday 8 November 2015
16 Nicholson St
16 Nicholson St, G5 9ER Glasgow, United Kingdom
Celine - new Glasgow gallery
Inaugural show at Celine featuring the work of
Aniara Omann | Jos De Gruyter & Harald Thys
Opening 27th September 3.00pm - 6.00pm
3/2, 493 Victoria Road,
Glasgow G428RL
Thursday, 24 September 2015
Collective Satellites Programme 2016
Workshop with Tessa Lynch, Calton Hill, Edinburgh, 17 September 2015.
Collective is delighted to announce the Satellites Programme 2016 selected participants: Jennifer Bailey (MFA 2013), Mark Bleakley, Anastasia Philimonos, Katie Schwab (MFA 2015) and Hamish Young.
Collective
City Observatory & City Dome
38 Calton Hill, Edinburgh, EH7 5AA
Tuesday, 22 September 2015
Simon Buckley at the Living Art Museum, Iceland
The Living Art Museum presents Nothing Really Matters (except me), artist Simon Buckley’s first solo exhibition in Iceland.
Preview 25th September at 5pm in Bankastræti 0, 101 Reykjavík.
For his exhibition in Núllið, Buckley has rendered a series of pen and ink drawings directly onto the space’s walls. The images show a medieval torturer attempting to extract a confession from his victim. Sprawled around the two protagonists are quasi-schizophrenic dialogues between two characters: ‘Simon 1’ and ‘Simon 2’.
Throughout their metaphysical and meta-fictional exchanges they strive to find purpose for their/his being, and the necessity and worth of their/the work’s existence. The dialogues are never explicit; they could be both an internal debate of the artist as he considers the implications of producing artwork for his audience; but he could also be talking to you (after all, he did do this for you)
The exhibition will run until 18th October, opening hours Thursday – Sunday, from 2 – 6pm and by an appointment.
Simon Buckley (1984, UK) , lives and works in Glasgow. Buckley completed an MFA at The Glasgow School of Art in 2013 and an MA in Analytic Philosophy in 2010 at Bristol University. Recent shows include ‘All You Need’, Riverside Space, Bern, ‘Village of Hope Trees’, Part 1, Koln, ‘Paul Scholes (A Design For Life), The Tip, Frankfurt am Main and ‘Blasted’, Harbinger gallery, Reykjavík. Forthcoming projects include ‘As You Were, As We Are’, Spreeze, Munich.
Friday, 18 September 2015
Katie Schwab in the Bloomberg New Contemporaries 2015
Bloomberg New Contemporaries 2015
September 18–October 31, 2015
Venues across Nottingham
www.newcontemporaries.org.uk
From September 18, this year's Bloomberg New Contemporaries launches in Nottingham across artist-led spaces Backlit, One Thoresby Street, and Primary before it tours to the Institute of Contemporary Arts, London from November 25, 2015 to January 24, 2016. The exhibition is supported by a programme of talks, events and tours in venue and at Nottingham Contemporary, New Art Exchange and Nottingham Castle Museum & Gallery.
From a record number of applicants, 37 artists have been selected from open submission by a panel comprising Hurvin Anderson, Jessie Flood-Paddock (New Contemporaries 2006) and Simon Starling (New Contemporaries 1994). These artists now join an illustrious roster of New Contemporaries alumni that includes Tacita Dean, Mona Hatoum, Damien Hirst, Mike Nelson and Laure Prouvost amongst many others.
Selected artists for Bloomberg New Contemporaries 2015 are: Sïan Astley, Kevin Boyd, Lydia Brockless, U. Kanad Chakrabarti, James William Collins, Andrei Costache, Julia Curtin, Abri de Swardt, Melanie Eckersley, Jamie Fitzpatrick, Justin Fitzpatrick, Hannah Ford, Sophie Giller, Richard Hards, Juntae T.J. Hwang, Jasmine Johnson, Tomomi Koseki, Hilde Krohn Huse, Pandora Lavender, Jin Han Lee, Hugo López Ayuso, Beatrice-Lily Lorigan, Scott Lyman, Hanqing Ma & Mona Yoo, Scott Mason, Oliver McConnie, Mandy Niewöhner, Hamish Pearch, Neal Rock, Conor Rogers, Katie Schwab, Tim Simmons, David Cyrus Smith, Francisco Sousa Lobo, Aaron Wells, Morgan Wills and Andrea Zucchini.
Explorations of scale, materiality, form and process play a critical role in the selected works. Abject materials such as car parts, wax, expanding foam and plywood, as well as craft methods of production such as crochet and embroidery are used to question the value of labour and social hierarchies.
The exhibition also includes works that explore the legacy of conceptual art practices alongside others that draw upon painting's rich history of colour and composition. Whilst still and moving image works shown this year explore and challenge the expectations and perceptions of gender and socio-economic circumstance.
September 18–October 31, 2015
Venues across Nottingham
www.newcontemporaries.org.uk
From September 18, this year's Bloomberg New Contemporaries launches in Nottingham across artist-led spaces Backlit, One Thoresby Street, and Primary before it tours to the Institute of Contemporary Arts, London from November 25, 2015 to January 24, 2016. The exhibition is supported by a programme of talks, events and tours in venue and at Nottingham Contemporary, New Art Exchange and Nottingham Castle Museum & Gallery.
From a record number of applicants, 37 artists have been selected from open submission by a panel comprising Hurvin Anderson, Jessie Flood-Paddock (New Contemporaries 2006) and Simon Starling (New Contemporaries 1994). These artists now join an illustrious roster of New Contemporaries alumni that includes Tacita Dean, Mona Hatoum, Damien Hirst, Mike Nelson and Laure Prouvost amongst many others.
Selected artists for Bloomberg New Contemporaries 2015 are: Sïan Astley, Kevin Boyd, Lydia Brockless, U. Kanad Chakrabarti, James William Collins, Andrei Costache, Julia Curtin, Abri de Swardt, Melanie Eckersley, Jamie Fitzpatrick, Justin Fitzpatrick, Hannah Ford, Sophie Giller, Richard Hards, Juntae T.J. Hwang, Jasmine Johnson, Tomomi Koseki, Hilde Krohn Huse, Pandora Lavender, Jin Han Lee, Hugo López Ayuso, Beatrice-Lily Lorigan, Scott Lyman, Hanqing Ma & Mona Yoo, Scott Mason, Oliver McConnie, Mandy Niewöhner, Hamish Pearch, Neal Rock, Conor Rogers, Katie Schwab, Tim Simmons, David Cyrus Smith, Francisco Sousa Lobo, Aaron Wells, Morgan Wills and Andrea Zucchini.
Explorations of scale, materiality, form and process play a critical role in the selected works. Abject materials such as car parts, wax, expanding foam and plywood, as well as craft methods of production such as crochet and embroidery are used to question the value of labour and social hierarchies.
The exhibition also includes works that explore the legacy of conceptual art practices alongside others that draw upon painting's rich history of colour and composition. Whilst still and moving image works shown this year explore and challenge the expectations and perceptions of gender and socio-economic circumstance.
Wednesday, 9 September 2015
Devils in the making
DEVILS IN THE MAKING
GoMA, Royal Exchange Square, Glasgow, G1 3AH
Preview Thursday 17 September, 5.30 -7.30pm
Performance by David Sherry at 6:30pm
Devils in the Making explores the strong
link between the Gallery of Modern Art (GoMA) and The Glasgow School of
Art by focusing on the cultural significance of key works, mostly from
Glasgow Museums’ collection, made by artists who studied at The Glasgow
School of Art (GSA).
This new exhibition features work by:
Alex Frost
Beagles & Ramsay
Christine Borland
Claire Barclay
Craig Mulholland
David Sherry
David Shrigley
Douglas Gordon
James McLardy
Jim Lambie
Karla Black
Kenny Hunter
Martin Boyce
Nathan Coley
Nick Evans
Roddy Buchanan
Ross Sinclair
Simon Starling
Toby Paterson
Torsten Lauschmann
Victoria Morton
Beagles & Ramsay
Christine Borland
Claire Barclay
Craig Mulholland
David Sherry
David Shrigley
Douglas Gordon
James McLardy
Jim Lambie
Karla Black
Kenny Hunter
Martin Boyce
Nathan Coley
Nick Evans
Roddy Buchanan
Ross Sinclair
Simon Starling
Toby Paterson
Torsten Lauschmann
Victoria Morton
Exhibition continues until Sunday 28 February 2016
Image: 'We Love Real Life Scotland', 2006, by Ross Sinclair. Courtesy of the artist.
Saturday, 5 September 2015
Scott Rogers at Collective, Edinburgh
Endling is an exhibition of new work by Scott Rogers (MFA 2012) developed as part of Satellites Programme 2015. Endling
is a term used to describe the last remaining member of a species that
will soon become extinct. Incorporating sculpture and text, the
exhibition is the culmination of research developed from Scott’s
interest in processes of decay, mutation and disappearance. The artworks
focus on ideas of extinction and the relationships and contradictions
between preservation and collapse.
Central to the exhibition is a text work developed between the artist and cultural anthropologist Shirley Lindenbaum on the subject of kuru, a neurological disorder experienced by the South Fore people in Papua New Guinea. Similar to Mad Cow Disease and often referred to as ‘Laughing Sickness’, the disorder spread predominantly due to the consumption of human brain matter and was eventually eradicated through the introduction of western cultural practices. Concentrating on Shirley’s fieldwork with the South Fore people the text considers the link between the epidemic and cultural change, particularly in relation to colonialism.
Image Credit: John James Audubon, Passenger Pigeons, c.1824.
Central to the exhibition is a text work developed between the artist and cultural anthropologist Shirley Lindenbaum on the subject of kuru, a neurological disorder experienced by the South Fore people in Papua New Guinea. Similar to Mad Cow Disease and often referred to as ‘Laughing Sickness’, the disorder spread predominantly due to the consumption of human brain matter and was eventually eradicated through the introduction of western cultural practices. Concentrating on Shirley’s fieldwork with the South Fore people the text considers the link between the epidemic and cultural change, particularly in relation to colonialism.
Image Credit: John James Audubon, Passenger Pigeons, c.1824.
Friday, 4 September 2015
Hardeep Pandhal at Drawing Room, London
Visit Hardeep Pandhal’s Studio
3 –5 September, 12 - 6pm daily
Recent MFA graduate, Hardeep Pandhal has been selected for Drawing Room's 2015 Bursary Award. The award reflects Drawing Room’s commitment to supporting the development of artists’ practice by providing opportunities for risk taking and experimentation.
Pandhal experiments with non-linear modes of story-telling, parodic language and his own autobiographical content to reflect upon the displacing effects of acculturation: in coming of age, initiation and reformatory practices. He says: “I am interested in how degrees of political correctness shift over time, and how these shifts expose seemingly permissible forms of inhumanity. Not without risk taking, I believe art can both confront and sublimate the tragic to convey otherwise unrepresentable ideas, address situations of compromise and articulate marginalised positions.”
This is a chance to see the new work that Pandhal has made throughout August during his residency at Drawing Room.
Drawing Room
12 Rich Estate,
Crimscott Street
London SE1 5TE
Tel 020 7394 5657
www.drawingroom.org.uk
3 –5 September, 12 - 6pm daily
Recent MFA graduate, Hardeep Pandhal has been selected for Drawing Room's 2015 Bursary Award. The award reflects Drawing Room’s commitment to supporting the development of artists’ practice by providing opportunities for risk taking and experimentation.
Pandhal experiments with non-linear modes of story-telling, parodic language and his own autobiographical content to reflect upon the displacing effects of acculturation: in coming of age, initiation and reformatory practices. He says: “I am interested in how degrees of political correctness shift over time, and how these shifts expose seemingly permissible forms of inhumanity. Not without risk taking, I believe art can both confront and sublimate the tragic to convey otherwise unrepresentable ideas, address situations of compromise and articulate marginalised positions.”
This is a chance to see the new work that Pandhal has made throughout August during his residency at Drawing Room.
Drawing Room
12 Rich Estate,
Crimscott Street
London SE1 5TE
Tel 020 7394 5657
www.drawingroom.org.uk
Thursday, 3 September 2015
Tuesday, 28 July 2015
Alex Frost at FTHo London
Alex Frost, book launch, BBQ and a performance by Giles Bailey
Friday 31 July, 6–9pm
Please join us for the launch of Property Guardian,
an accompanying publication for the exhibition, featuring texts by
Josephine Berry and Claire Louise Staunton. We will celebrate its
launch, as well as Alex Frost's time with FTHo, with an evening of
summer drinks and BBQ in the FTHo garden and a specially commissioned
performance by Giles Bailey.
Property Guardian is an exhibition of new mixed media sculptures
and drawings that use and manipulate motifs relating to the home and
domesticity, from Alex Frost’s residency at Flat Time House. A reflexive
exercise, these works have been made whilst living and working in a
home, gallery and archive. They have developed out of an investigation
into the role of artists within a community, and the way in which the
living conditions of artists have been politicised through the current
culture of property speculation, and property guardianship programmes in
particular. Alex’s work is made not with any critical distance but
rather from a conflicted and implicated position.
Alex Frost graduated from the MFA Programme at Glasgow School of Art and was the 2014 Phynance Resident, supported by the Estate of Barry Flanagan.
http://flattimeho.org.uk/exhibitions/property-guardian/
Tuesday, 21 July 2015
Anthony Schrag walks to the Venice Biennale from Scotland
Anthony Schrag (MFA 2005) is currently several weeks into his pilgrimage to Venice but still has a great distance yet to walk. Read about his pilgrimage here
http://www.scotsman.com/lifestyle/arts/visual-arts/making-strides-1-3834451
http://www.scotsman.com/lifestyle/arts/visual-arts/making-strides-1-3834451
Friday, 10 July 2015
Marysia Gacek: pleasant setting
Marysia Gacek: pleasant setting
Opening 5 - 8pm Saturday 11 July 2015
Glasgow Sculpture Studios
The Whisky Bond, 2 Dawson Road
Glasgow G4 9SS
Glasgow Sculpture Studios (GSS) is pleased to announce a solo exhibition of new work, pleasant setting, by Marysia Gacek, developed throughout her one year Graduate Fellowship at GSS from November 2014 until November 2015.
Marysia Gacek’s work is known for its suggestive personal symbolism, using memory and arcane cultural referents that assert the transcendent possibilities of the banal. Gacek works in a variety of materials ranging from painting, clay, to textiles and video. By starting with a place, an image, a specific memory, or an object, she creates structures and narratives with loose connections using personal symbolism and different modes of representation.
Opening 5 - 8pm Saturday 11 July 2015
Glasgow Sculpture Studios
The Whisky Bond, 2 Dawson Road
Glasgow G4 9SS
Glasgow Sculpture Studios (GSS) is pleased to announce a solo exhibition of new work, pleasant setting, by Marysia Gacek, developed throughout her one year Graduate Fellowship at GSS from November 2014 until November 2015.
Marysia Gacek’s work is known for its suggestive personal symbolism, using memory and arcane cultural referents that assert the transcendent possibilities of the banal. Gacek works in a variety of materials ranging from painting, clay, to textiles and video. By starting with a place, an image, a specific memory, or an object, she creates structures and narratives with loose connections using personal symbolism and different modes of representation.
A small publication will accompany the exhibition including a commissioned text by writer and curator Melissa Canbaz.
Exhibitions runs until 5 September 2015
Gallery open 11am - 5pm Wednesday - Saturday, or by appointment.
Exhibitions runs until 5 September 2015
Gallery open 11am - 5pm Wednesday - Saturday, or by appointment.
Glasgow Sculpture Studios
is a membership organisation that receives revenue funding from Creative Scotland and Glasgow Life.
The
2014 Graduate Fellowship is generously supported by The Fenton Arts
Trust, The Hope Scott Trust, Adam Mickiewicz Institute and
Culture.pl.
Tuesday, 30 June 2015
Glasgow Sculpture Studios MFA Graduate Fellowship
Katie Schwab is the recipient of the Glasgow Sculpture Studios MFA Graduate Fellowship.
Katie will begin the Fellowship in November 2015 with the opportunity to show her work in the GSS Gallery in Summer 2016.
The Glasgow Sculpture Studios MFA Graduate Fellowship is awarded annually to a graduating artist from the MFA programme who demonstrates artistic excellence, and a commitment to maintaining a studio-based, contemporary sculptural practice. Running for one year from November 2014 to November 2015, the award includes membership to Glasgow Sculpture Studios, access to production facilities, professional artist’s opportunities, private studio accommodation and support to realise a solo presentation of new work towards the end of the Fellowship. Previous Graduate Fellows are: Laura Aldridge, Carla Scott Fullerton, Risa Tsunegi, Jonathan Scott, Sarah Forrest, Alex Impey, Scott Rogers and Tessa Lynch.
The 2015 selection panel for the award were Louise Briggs, Programme Coordinator, Glasgow Sculpture Studios; Simon Gowing, Curator, SWG3 Gallery; Rosie O’Grady, Programme Assistant, Glasgow Sculpture Studios; James Rigler, Artist & GSS Studio Holder and Laura Simpson, Programme Manager, Hospitalfields.
For more information on Katie Schwab’s practice and work visit - http://www.glasgowsculpturestudios.org/2015/06/22/2015-katie-schwab/
The 2015 Fellowship is generously supported by The Craignish Trust.
Katie will begin the Fellowship in November 2015 with the opportunity to show her work in the GSS Gallery in Summer 2016.
The Glasgow Sculpture Studios MFA Graduate Fellowship is awarded annually to a graduating artist from the MFA programme who demonstrates artistic excellence, and a commitment to maintaining a studio-based, contemporary sculptural practice. Running for one year from November 2014 to November 2015, the award includes membership to Glasgow Sculpture Studios, access to production facilities, professional artist’s opportunities, private studio accommodation and support to realise a solo presentation of new work towards the end of the Fellowship. Previous Graduate Fellows are: Laura Aldridge, Carla Scott Fullerton, Risa Tsunegi, Jonathan Scott, Sarah Forrest, Alex Impey, Scott Rogers and Tessa Lynch.
The 2015 selection panel for the award were Louise Briggs, Programme Coordinator, Glasgow Sculpture Studios; Simon Gowing, Curator, SWG3 Gallery; Rosie O’Grady, Programme Assistant, Glasgow Sculpture Studios; James Rigler, Artist & GSS Studio Holder and Laura Simpson, Programme Manager, Hospitalfields.
For more information on Katie Schwab’s practice and work visit - http://www.glasgowsculpturestudios.org/2015/06/22/2015-katie-schwab/
The 2015 Fellowship is generously supported by The Craignish Trust.
Saturday, 13 June 2015
MFA at citizenM 2015
MFA at citizenM
A selection of video from the Master of Fine Art programme at the GSA, 2012-2015
Thursday 11 - Saturday 20 June (Thu - Sat, 10:00 - 23:00) 60 Renfrew Street G2 3BW
This exhibition runs alongside the MFA Degree Show 2015 at The Glue Factory 11- 21 June, sponsored by citizenM
Image:Roi Carmeli - One Game Only (still) 2010 video filmed with phantom HD : 1000-1500 frame per sec
Monday, 8 June 2015
Wednesday, 27 May 2015
Katie Schwab selected for the Bloomberg New Contemporaries 2015
ARTISTS ANNOUNCED FOR BLOOMBERG NEW CONTEMPORARIES 2015
Bloomberg New Contemporaries is pleased to announce this year's selected artists. With the selection taking place at Hackney Showroom on the 18 and 19 May'15, the panel comprising Hurvin Anderson, Jessie Flood-Paddock (New Contemporaries 2006) and Simon Starling (New Contemporaries 1994) have chosen 37 artists from over 1,600 submissions.
Selected artists for Bloomberg New Contemporaries 2015 include current MFA student Katie Schwab.
With Bloomberg's support of New Contemporaries now in its 15th year, the resulting touring exhibition will launch in Nottingham across artist-led spaces One Thoresby Street, Backlit and Primary from 18 September to end of October'15, supported by additional activity at Nottingham Contemporary, New Art Exchange and Nottingham Castle; before touring to ICA, London from 24 November'15 to end of January'16.
Bloomberg New Contemporaries is pleased to announce this year's selected artists. With the selection taking place at Hackney Showroom on the 18 and 19 May'15, the panel comprising Hurvin Anderson, Jessie Flood-Paddock (New Contemporaries 2006) and Simon Starling (New Contemporaries 1994) have chosen 37 artists from over 1,600 submissions.
Selected artists for Bloomberg New Contemporaries 2015 include current MFA student Katie Schwab.
With Bloomberg's support of New Contemporaries now in its 15th year, the resulting touring exhibition will launch in Nottingham across artist-led spaces One Thoresby Street, Backlit and Primary from 18 September to end of October'15, supported by additional activity at Nottingham Contemporary, New Art Exchange and Nottingham Castle; before touring to ICA, London from 24 November'15 to end of January'16.
Artists announced for Bloomberg New Contemporaries 2015
Bloomberg New Contemporaries is pleased to announce this year's
selected artists. With the selection taking place at Hackney Showroom on
the 18 and 19 May'15, the panel comprising Hurvin Anderson, Jessie
Flood-Paddock (New Contemporaries 2006) and Simon Starling (New
Contemporaries 1994) have chosen 37 artists from over 1,600 submissions.
Selected artists for Bloomberg New Contemporaries 2015 are: Sïan
Astley, Kevin Boyd, Lydia Brockless, Kanad Chakrabarti, James William
Collins, Andrei Costache, Julia Curtin, Abri de Swardt, Melanie
Eckersley, Jamie Fitzpatrick, Justin Fitzpatrick, Hannah Ford, Sophie
Giller, Richard Hards, Juntae TJ Hwang, Jasmine Johnson, Tomomi Koseki,
Hilde Krohn Huse, Pandora Lavender, Jin Han Lee, Hugo Lopez Ayuso,
Beatrice-Lily Lorigan, Scott Lyman, Scott Mason, Oliver McConnie, Mandy
Niewohner, Hamish Pearch, Neal Rock, Conor Rogers, Katie Schwab, Tim
Simmons, David Cyrus Smith, Francisco Sousa Lobo, Aaron Wells, Morgan
Wills, Mona Yoo and Andrea Zucchini.
With Bloomberg's support of New Contemporaries now in its 15th year, the resulting touring exhibition will launch in Nottingham across artist-led spaces One Thoresby Street, Backlit and Primary from 18 September to end of October'15, supported by additional activity at Nottingham Contemporary, New Art Exchange and Nottingham Castle; before touring to ICA, London from 24 November'15 to end of January'16.
- See more at: http://www.newcontemporaries.org.uk/news/1432645849/Artists-announced-2015#sthash.nrJK1nJE.dpufWith Bloomberg's support of New Contemporaries now in its 15th year, the resulting touring exhibition will launch in Nottingham across artist-led spaces One Thoresby Street, Backlit and Primary from 18 September to end of October'15, supported by additional activity at Nottingham Contemporary, New Art Exchange and Nottingham Castle; before touring to ICA, London from 24 November'15 to end of January'16.
Tuesday, 19 May 2015
Duncan Marquiss announced as the winner of the 2015 Margaret Tait Award
Duncan Marquiss announced as the winner of the 2015 Margaret Tait Award.
Glasgow Film Festival is pleased to announce that the winner of the 2015 Margaret Tait Award is Glasgow-based artist Duncan Marquiss. Marquiss will receive a £10,000 commission to create a new piece of work, and the opportunity to present this work at Glasgow Film Festival in 2016.Supported by Creative Scotland and LUX, the Award was founded in 2010 to support experimental and innovative artists working within film and moving image. Margaret Tait (1918–1999) was an Orcadian filmmaker and writer whose film poems, hand-painted animations, and documentaries were pioneering in the field of experimental filmmaking.
Duncan Marquiss graduated from the MFA at Glasgow School of Art in 2005 and undertook the LUX Associate Artist Programme, London in 2009. Recent projects include ‘Foraging Economics’, published in The Happy Hypocrite #7: Heat Island, Book Works, 2014; Flatness: Cinema After The Internet, International Kurzfilmtage Oberhausen 2013; Information Foraging, Artist Moving Image Festival Tramway, Glasgow 2013; Noise, Unosunove Rome, 2012; and Secret Societies, Schirn Kunsthalle Frankfurt 2011.
Wednesday, 13 May 2015
Maria†Maria†.doxc
Maria†Maria†.doxc 2015 © Marysia Gacek / Maria Toumazou
Friday 22 May 2015
6.30 - 8pm
Foyer at Glasgow Sculpture Studios
TWB, 2 Dawson Rd, Glasgow
FREE, no booking required
Maria†Maria†.doxc is a book documenting a two-year online conversation between Maria
Toumazou and Marysia Gacek consisting of a visual collection of different materials (photographs, notes, and miscellaneous references). The photographic and literary components of Maria†Maria†.doxc are interwoven into a dialogue, with the becoming a record of a series of connections, hyperaware observations, and faith in another artist's line of thought parallel with the universal alignment. Maria†Maria†.doxc is accompanied by a specially commissioned text by John Ryan.
MARIA†. editions is an independent publisher founded by Marysia Gacek and Maria Toumazou in 2014. Based in Nicosia and New York, MARIA†. editions is devoted to producing digital and printed matter, providing a platform for new artworks, collaborations, research, writing, and exhibitions, dissolving any distinctions between them.
On the occasion of this launch, the publication will be on sale with a special one-off discounted price.
Marysia Gacek is currently the recipient of our MFA Graduate Fellowship. A solo exhibition of her work will be presented at Glasgow Sculpture Studios from 11 July – 5 September 2015.
http://cargocollective.com/mariaeditions
The 2014 Graduate Fellowship is generously supported by The Fenton Arts Trust, The Hope Scott Trust and the Adam Mickiewicz Institute.
Marysia Gacek (b. 1986, Nowy Targ) received her MFA from the Glasgow School of Art in 2014 and has exhibited at ZK/U, the Center for Art and Urbanistics, Berlin; Govanhill Baths, Glasgow; Nurture Art, New York; Terminal Projects, NewYork; Unosunove, Rome; Unosolo Project Room, Milan; PS122 Gallery, New York. Forthcoming solo exhibitions include Glasgow Sculpture Studios, Glasgow and Neoterismoi Toumazou, Nicosia.
Maria Toumazou (b. 1989, Cy) completed a BA in Art Practice at Goldsmiths College, where she was awarded the Nicholas and Andrei Tooth Travelling Scholarship in 2011. In 2014 she received her MFA from Glasgow School of Art. Alongside to her practice she runs Neoterismoi Toumazou, an exhibition space in Cyprus.
John Ryan is currently completing an MFA in The Glasgow School of Art and during his study he participated in an exchange in The Stadelschule in Frankfurt, studying in the class of Professor Douglas Gordon. In 2012 he co-founded, with artist Tom Watt, The Resort Projects (a series of offsite residences experimenting with new methods of art making, communal living and friendship in remote locations). In 2014 he was featured in the publications Prismatic Ecology: EcoTheory Beyond Green (Jeffrey Jerome Cohen, University of Minnesota Press) and Weaponising Speculation (Punctum Books, New York).
Friday, 8 May 2015
Prussian Blue by Michael Fullerton
Don’t miss the last week of Prussian Blue by Michael Fullerton, closing this Saturday 9 May.
S1 Artspace presents a new commissioned exhibition by Glasgow-based artist Michael Fullerton. Prussian Blue is a major new body of work that will unfold over three exhibitions in 2015 commencing at S1 Artspace this spring, which will subsequently be presented at Carl Freedman Gallery, London and the Scottish National Gallery of Modern Art, Edinburgh.
Fullerton’s new work examines the power of aesthetic beauty, the recording of history and the relationship between painting and its social and historical significance. It expands the artist’s ongoing exploration of the social and civic relevance of art – and in particular painting in an age of information and mass media circulation.
In 2014, S1 Artspace invited Fullerton to work with the city’s historical collection at Museums Sheffield whilst developing this new series of works. Continually drawn to the aesthetics, politics and social history embodied in portraiture, Fullerton has selected a number of eighteenth and nineteenth century portraits specifically for their aesthetic virtues to show alongside his new body of work. This includes portraits by Sir William Beechey, Charles Brocky, William Etty, Jean-Baptiste Greuze and Sir Thomas Lawrence.
S1 Artspace | 120 Trafalgar Street | Sheffield | S1 4JT | UK
+44 (0)114 275 6131 | www.s1artspace.org | info@s1artspace.org
Sunday, 3 May 2015
MFA Interim Show 2015
MFA Interim Show 2015
Reid Gallery and Ground Floor Corridor
9 - 16 May 2015
Preview Friday 8 May 2015, 6-8pm
The annual exhibition of new work by twenty five students in the first year of the Master of Fine Art programme comprising a great variety of works across a wide range of media including painting, drawing, sculpture, video, performance and installation.
Reid Gallery and Ground Floor Corridor
9 - 16 May 2015
Preview Friday 8 May 2015, 6-8pm
The annual exhibition of new work by twenty five students in the first year of the Master of Fine Art programme comprising a great variety of works across a wide range of media including painting, drawing, sculpture, video, performance and installation.
Dorine Aguerre, Celine Amendola, Catalina Barroso-Luque, Alice
Brooke, Carla Burns, Sian Collins, Samuel Cook, Josedgardo Granados,
Jamie Green, Soojung Jung, Jung Mo Kim, Hyeonju Lee, Uesung Lee,
Yeonkyoung Lee, Judith Leupi, Isobel Lutz-Smith, Callum Monteith, Marija
Nemcenko, Samuel Robinson, Jamie Russom, Rodrigo Sandoval, Sofia
Sefraoui, Alex Stursberg, Finus Townsend III, Jennifer Yu
Reid Gallery, Reid Building, The Glasgow School of Art, 164 Renfrew Street, Glasgow G3 6RF
Open 10:00 | - | 16:30 daily. |
Image: Sian Collins Glasgow Green Film Still
Tuesday, 28 April 2015
GSA MFA Editions launch
GSA MFA Editions is a limited edition collection of
prints, photographs, and drawings from the 2015 graduates of the Glasgow
School of Art's MFA programme, as well as
selected work from acclaimed alumni Laura Aldridge and Ross Sinclair.
Each portfolio contains twenty-three original works and is priced at
£550 (excluding postage).
www.gsamfaeditions.com
Please email gsamfaeditions@gmail.com for purchase enquiries.
Launch event at CitizenM, 60 Renfrew Street, Glasgow on Wednesday 29th April from 6 - 8pm.
GLASGOW OPEN HOUSE ART FESTIVAL
GLASGOW OPEN HOUSE ART FESTIVAL
Lots of current MFA students and recent graduates are involved in this festival.
Check out info on all artists, exhibitions and events here: http://www.glasgowopenhouse.co.uk/
Glasgow
Open House Art Festival 2015 (2–4 May) will be packed with exhibitions
and events that will take place across a diverse range of venues in
Glasgow.
Over
half of its 2015 programme will take place in and around artists’
homes, reflecting the strong sense of community that is so crucial to
the success of Glasgow’s thriving art scene. Artists will welcome
friends, neighbours and strangers alike into their homes to offer their
hospitality and to share with them their art, music, performances and
stories.
The
rest of the festival — almost 30 listings comprising public art,
exhibitions and events— will occupy overlooked or alternative spaces
spanning the breadth of the city. In the west end highlights will
include interventions at the Botanic Gardens and North Kelvin Meadow, in
the South Side festivalgoers can visit a number of shows taking place
at the Laurieston Arches (a series of empty railway arches just South of
the River Clyde), in the East End a launderette is the site for a
community-themed photography show, and in Glasgow’s city centre there
will be artwork literally under your feet.
Bespoke screen-printed flags made in partnership with Colour_Hotel and Project Ability artists
will signpost the various venues sprawled across the city, ensuring
visitors won’t miss any of the less obvious festival sites. Free
programmes and maps will be available to collect at a number of points
in the lead up to the festival.
Saturday, 25 April 2015
Aniara Omann at Glasgow Sculpture Studios
An open studio day of Aniara Omann’s work at Project Space 1 at Glasgow Sculpture Studios takes place on Friday 01 May, between 12-5pm.
Aniara Omann was awarded a two-week production period in the project space at Glasgow Sculpture Studios, for her exhibited work at the Glasgow School of Art MFA degree show 2014. In alignment with this, Aniara Omann would like to share her current work and research done during her time at GSS, including a series of new sculptural work from her on-going project focused on movie prosthetics and special effects.
Aniara Omann’s work reflects an idea of the present as a hybrid of imagined realities of future and past, and the continuous investment into historical objects as fiction.
Drawing parallels between celebrity-identity, ancient objects, and historical signifiers, which exist in the common realm as placeholders for that which they were once a part of, her work points to the play of different levels of fiction, socially applied to individual objects, and the interconnection that exists within and around each thing. She employs a wide range of methods of production including sculpting, casting, drawing, video making, and animation. The outcome often reflects a play around the boundary between “appropriation” and “making”.
The project is supported by Glasgow Masters Series 2014.
Upcoming projects:
“Prehistoric Loom” Glasgow Open House Festival, 11 Doune Gardens, May 2nd 2015
Performance at launch of Gnommero, Centre for Contemporary Art, May 15th 2015
www.aniaraomann.com
Glasgow Sculpture Studios
The Whisky Bond
2 Dawson Road
Glasgow G4 9SS
Aniara Omann was awarded a two-week production period in the project space at Glasgow Sculpture Studios, for her exhibited work at the Glasgow School of Art MFA degree show 2014. In alignment with this, Aniara Omann would like to share her current work and research done during her time at GSS, including a series of new sculptural work from her on-going project focused on movie prosthetics and special effects.
Aniara Omann’s work reflects an idea of the present as a hybrid of imagined realities of future and past, and the continuous investment into historical objects as fiction.
Drawing parallels between celebrity-identity, ancient objects, and historical signifiers, which exist in the common realm as placeholders for that which they were once a part of, her work points to the play of different levels of fiction, socially applied to individual objects, and the interconnection that exists within and around each thing. She employs a wide range of methods of production including sculpting, casting, drawing, video making, and animation. The outcome often reflects a play around the boundary between “appropriation” and “making”.
The project is supported by Glasgow Masters Series 2014.
Upcoming projects:
“Prehistoric Loom” Glasgow Open House Festival, 11 Doune Gardens, May 2nd 2015
Performance at launch of Gnommero, Centre for Contemporary Art, May 15th 2015
www.aniaraomann.com
Glasgow Sculpture Studios
The Whisky Bond
2 Dawson Road
Glasgow G4 9SS
Friday, 24 April 2015
Monday, 20 April 2015
THE GRIND
THE GRIND
JENNIFER BAILEY, BRANDON CRAMM, ALEX IMPEY, KATIE SCHWAB, MARIA TOUMAZOU
25 APRIL - 8 MAY, 2015
PREVIEW 24 April, 7 to 9 pm
VoidoidARCHIVE is pleased to announce The Grind, an exhibition of new work by Jennifer Bailey, Brandon Cramm, Alex Impey, Katie Schwab and Maria Toumazou. The artists, born variously throughout the 1980s, living recently or (mostly) currently in Glasgow, will present objects which respond to the arch/archive in flexible or in\flexible attitudes. Some objects shift within themselves, growing towards a particular dimension, and many come as a whole complete thing...holding their breath...waiting to fit in. Artist Lauren Hall arranges this situation within an exhibition.
As a group, the biography of these artists would probably read: from an outside place/came to study at Glasgow School of Art, graduated with an MFA in 201_/. All reflect intently on the situations within which artists work, and the conditions under which their work adjusts itself. Most might consider collaborating with peers or programming the work of others as part of their practice. A few get down about architecture.
AFTERPARTY: Paraphernalia, at The Poetry Club, 9 pm - late, with performances and readings by Gordon Douglas, Alex Rathbone and Richard Taylor. Moving image work by Erik Osberg and Urara Tsuchiya.
Playlist:
How to Grind | Club Dancing
Adjusting the Grind
The Grind - Ep. 1, Part 1 (HD)
How Prescription Glasses Lens are Made / Fit - #4 Grinding Rise and Swim (Welcome to the Grind)
Road Work The Grind
AMV #36 - Feeling the grind at work - NWB Swag! - Posing update Horse Dental Work "The Grind"
For further information and images please contact info@thepoetryclub.net
Exhibition open Monday to Friday, 10 to 3 pm, Saturday 12 to 5 pm.
VoidoidARCHIVE | 100 EASTVALE PLACE | UNIT 12 ARCH 23 | GLASGOW G3 8QG
JENNIFER BAILEY, BRANDON CRAMM, ALEX IMPEY, KATIE SCHWAB, MARIA TOUMAZOU
25 APRIL - 8 MAY, 2015
PREVIEW 24 April, 7 to 9 pm
VoidoidARCHIVE is pleased to announce The Grind, an exhibition of new work by Jennifer Bailey, Brandon Cramm, Alex Impey, Katie Schwab and Maria Toumazou. The artists, born variously throughout the 1980s, living recently or (mostly) currently in Glasgow, will present objects which respond to the arch/archive in flexible or in\flexible attitudes. Some objects shift within themselves, growing towards a particular dimension, and many come as a whole complete thing...holding their breath...waiting to fit in. Artist Lauren Hall arranges this situation within an exhibition.
As a group, the biography of these artists would probably read: from an outside place/came to study at Glasgow School of Art, graduated with an MFA in 201_/. All reflect intently on the situations within which artists work, and the conditions under which their work adjusts itself. Most might consider collaborating with peers or programming the work of others as part of their practice. A few get down about architecture.
AFTERPARTY: Paraphernalia, at The Poetry Club, 9 pm - late, with performances and readings by Gordon Douglas, Alex Rathbone and Richard Taylor. Moving image work by Erik Osberg and Urara Tsuchiya.
Playlist:
How to Grind | Club Dancing
Adjusting the Grind
The Grind - Ep. 1, Part 1 (HD)
How Prescription Glasses Lens are Made / Fit - #4 Grinding Rise and Swim (Welcome to the Grind)
Road Work The Grind
AMV #36 - Feeling the grind at work - NWB Swag! - Posing update Horse Dental Work "The Grind"
For further information and images please contact info@thepoetryclub.net
Exhibition open Monday to Friday, 10 to 3 pm, Saturday 12 to 5 pm.
VoidoidARCHIVE | 100 EASTVALE PLACE | UNIT 12 ARCH 23 | GLASGOW G3 8QG
www.voidoidarchive.com
Friday, 17 April 2015
Martin Boyce at the Museum für Gegenwartskunst, Basel
Martin Boyce
25.04.2015–16.08.2015 | Museum für Gegenwartskunst, Basel
Curator: Søren Grammel
Exhibition opening: Friday, April 24, 2015, 6.30pm
Martin Boyce's exhibition at the Museum für Gegenwartskunst is the artist’s first solo Museum show, and will primarily focus on sculpture and installation covering a fourteen year period, such as the multipart Do Words Have Voices—exhibited for the first time since it’s original showing—for which Boyce received the prestigious Turner Prize in 2011. Lesser-known projects include a glimpse in to Boyces personal image archive which consists of hundreds of collaged and altered magazine pages. So far not publicly exhibited by the artist these images provide numerous surprising insights into the artists sources of inspiration even for those familiar with his oeuvre. Boyce was born in Hamilton, South Lanarkshire (UK), in 1967, and studied at the Glasgow School of Art.
Urara Tsuchiya - Connoiseur's World
Urara Tsuchiya - Connoiseur's World
Queens Park Railway Club
30th April - 23rd May 2015
Show open Thursday to Saturday
12 - 6pm
QPRC are delighted to present, Connoisseur’s World a solo exhibition by Urara Tsuchiya (MFA 2012). Featuring performance, soft sculpture and photographic works. During the course of exhibition Tsuchiya will present a number of interactive events including a banana DJ and aphrodisiac food event (with London based artist Joseph Walsh). The show finishes with a fashion catwalk and closing party on Saturday 23rd May.
Events:
Friday 24th April - 7 to 9 pm - Banana DJ
Saturday 2nd May - 2 to 5pm - Banana DJ
Saturday 9th May - 7 to 9 pm - Aphrodisiac Dinner (only 10 places, email us to book)
Saturday 23rd May - 7 to 9pm - Closing fashion show
Queens Park Railway Club
30th April - 23rd May 2015
Show open Thursday to Saturday
12 - 6pm
QPRC are delighted to present, Connoisseur’s World a solo exhibition by Urara Tsuchiya (MFA 2012). Featuring performance, soft sculpture and photographic works. During the course of exhibition Tsuchiya will present a number of interactive events including a banana DJ and aphrodisiac food event (with London based artist Joseph Walsh). The show finishes with a fashion catwalk and closing party on Saturday 23rd May.
Events:
Friday 24th April - 7 to 9 pm - Banana DJ
Saturday 2nd May - 2 to 5pm - Banana DJ
Saturday 9th May - 7 to 9 pm - Aphrodisiac Dinner (only 10 places, email us to book)
Saturday 23rd May - 7 to 9pm - Closing fashion show
Mick Peter "Pyramid Selling' at Tramway, Glasgow
Pyramid Selling by Mick Peter
Preview on Thursday, 23 April at 7pm-9pm.
Pyramid Selling is a solo exhibition of new sculpture by MFA graduate Mick Peter which explores notions of commerce and fabrication. The work draws on a number of sources, including literature, commercial illustration and graphic design. Mimicking the tropes of 'witty' graphic design from the 60's and 70's, the exhibition takes a satirical look at the role of the individual against the backdrop of industry and labour, the making of his exhibition at Tramway included.
The exhibition is open from 24 April – 14 June
Wednesday, 1 April 2015
Friday, 27 March 2015
Victor & Hester presents Dreams of Machines
‘I’m thinking about a process of being consumed and swallowed and broken down and excreted’ - Stephanie Beroes, Recital Victor & Hester presents Dreams of Machines, a series of sort-of commissions; audio, text, screening, performance, and research at Transmission, Glasgow. Presenting the domestic space as a potentially potent social space, the work draws questions around a feminist reading of privacy and companionship, collaborations, domestic spheres, labour, interiorities, the unnameable, the unsaid. The work explores tensions between language, labour, architectural space and the bodies that move/work within and between these frameworks. The exhibition is a point within a research project by MFA graduates Amelia Bywater and Emma Fitts (V&H) who will use the Transmission Resource Room throughout April to make a publication. This will be launched in May. Contributions from: Abby Cunnane Tessa Peach Ash Reid Liene Rozīte Irene Revell/Electra Help from: Transmission Committee Kaisa Lassinaro Louise Shelley Cinenova LUX Scotland Events: Film Screening: Stephanie Beroes, Alia Syed, Tanya Mahboob Syed supported by LUX Scotland and Cinenova Thursday 2 April, 7pm Performance by Ash Reid and Liene Rozīte Saturday 11 April, 2pm Listening event with discussion Date TBC Preview 28 March, 7 - 9pm dreamsofmachines.co.uk |
Aideen Doran: Im Bau
Aideen Doran: Im Bau
18 April – 14 June 2015Opening Friday 17 April 2015, 6–8pm
Aideen Doran (MFA 2012) will lead an investigative, creative research project interrogating the idea of the city as a space for artistic, economic and ideological production. It responds specifically to the shifting fabric of the city of Birmingham, where Grand Union is based, critiquing its contemporary urban culture of regeneration through research into the archival traces of the city’s urban past, and its past visions of the future city.
Grand Union
19 Minerva Works
Fazeley Street
Birmingham
B5 5RS
Thursday to Saturday 12–5pm during exhibitions.
Big Opening
Sunday, 22 March 2015
Art Across the City featuring Michael Stumpf
MFA graduate Michael Stumpf 'The Future Is A Process, Objects Converse A Matter of Mutual Concern'.
Opens Today, 21.03.2015, as part of Art Across the City in Swansea
Art Across the City 2015
21 March- 1 June
Swansea
Thursday, 19 March 2015
Kate Daw new solo show 'Love, Work (Show Me Grace)'
KATE DAW
Love, Work (Show Me Grace)
ImageKate Daw 2015 My Sister’s Hand in Mine (mauve version for Jane Bowles)
Oil paint on found blackboard 40 cm x 30 cm
Opening
Friday 27 March, 5.30 - 7.30pm
Exhibition continues 27 March to 16 May 2015, Wed-Sat 12-5pm
SARAH SCOUT
Suite 15, Level 1
12 Collins Street
Melbourne 3000
|
Niall Macdonald Elvis Nipple Plinth
Last chance to see
ELVIS NIPPLE PLINTH
Niall Macdonald
(MFA2008)
22/02–04/04/2015
Kendall Koppe
Suite 1-2
6 Dixon Street
Glasgow
G1 4AX
6 Dixon Street
Glasgow
G1 4AX
Wednesday–Saturday 11am–5pm, or by appointment
Tuesday, 3 March 2015
After Hours
'After Hours' - a new exhibition of work by Fiona Chambers and Aideen Doran at Platform Arts,
Private view: 6 – 9pm, Thursday 5th March
The artists will host a closing event on the 21st of March, details to be announced on the Platfrm Arts website.
1 Queen Street, Belfast BT1 6EA.
6 – 21 March 2015
6 – 21 March 2015
Private view: 6 – 9pm, Thursday 5th March
The artists will host a closing event on the 21st of March, details to be announced on the Platfrm Arts website.
Thursday, 26 February 2015
2015 Triennial: Surround Audience at the New Museum (NYC)
MFA graduate Shelly Nadashi is included in the 2015 Triennial: Surround Audience
from February 25–May 25, 2015 at the New Museum, 235 Bowery, New York, NY 10002.
The New Museum Triennial provides an important platform for an emergent generation of artists that is shaping the discourse of contemporary art. The Triennial’s predictive, rather than retrospective, model embodies the institution’s 37-year commitment to exploring the future of culture through the art of today. This third iteration of the Triennial is titled Surround Audience and is co-curated by New Museum Curator Lauren Cornell and artist Ryan Trecartin.
Surround Audience explores the effects of an increasingly connected world both on our sense of self and identity as well as on art’s form and larger social role. The exhibition looks at our immediate present, a time when culture has become more porous and encompassing and new considerations about art's role and potential are surfacing. Artists are responding to these evolving conditions in a number of ways, from calculated appropriations to critical interrogations to surreal or poetic statements.
Featuring 51 artists from over 25 countries, Surround Audience pursues numerous lines of inquiry, including: What are the new visual metaphors for the self and subjecthood when our ability to see and be seen is expanding, as is our desire to manage our self-image and privacy? Is it possible to opt out of, bypass, or retool commercial interests that potentially collude with national and international policy? How are artists striving to embed their works in the world around them through incursions into media and activism? A number of artists in the exhibition are poets, and many more use words in ways that connect the current mobility in language with a mutability in form. The exhibition also gives weight to artists whose practices operate outside of the gallery—such as performance and dance—and to those who test the forums of marketing, comedy, and social media as platforms for art. The building-wide exhibition encompasses a variety of artistic practices, including sound, dance, comedy, poetry, installation, sculpture, painting, video, one online talk show, and an ad campaign.
www.newmuseum.org
Tuesday, 17 February 2015
Ballet of the palette
(several MFA graduates involved in this new exhibition)
Preview, Thu 19 February 5:30 – 7:30pm
All welcome, no RSVP.
Gallery of Modern Art, Queen Street, Glasgow
Ballet of the Palette is an exhibition of 20th Century paintings chosen by contemporary artists who exhibited work in the 2013 exhibition, A Picture Show.
Neil Clements, Lotte Gertz, Charlie Hammond, Louise Hopkins, Merlin James, Victoria Morton, Carol Rhodes, Tony Swain, Hanneline Visnes and George Ziffo have selected paintings that may not have been seen by the public for some time. They also explain why they have chosen these particular paintings.
Friday, 13 February 2015
EVIL EMPIRE - SIMON BUCKLEY
A solo project by Simon Buckley, Feat: Swype Right
With a commissioned text by Homera Cheema
Market Gallery, 334 Duke Street, Glasgow G31 1QZ
31 January - 1 March 2015
Thursday - Sunday 11am - 5pm
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